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Luisa Baeta

Guest
With Brucker, Tankard once again consciously questions conventions — particularly the idea that a typeface requires consistency. Like watching a performer on a tightrope, or a live improvised show: there are moments where the performance almost falters, and the whole thing seems dangerously close to falling apart, but it somehow doesn’t, and that’s thrilling, and you can’t look away.
 
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