Söhne

[Filip Blažek]

Although I agree with Sowersby’s description — “Söhne is the memory of Akzidenz-Grotesk framed through the reality of Helvetica” — I would argue that Söhne contains more Akzidenz-Grotesk than Helvetica. It’s more unique, less monotonous, more dynamic, less boring. A beautiful yet universal sans serif family.